IDW is proud to announce The Hunger and the Dusk, an ongoing comic book series by Hugo– and World Fantasy Award–winning writer G. Willow Wilson (Ms. MarvelWonder WomanPoison Ivy) and all-star artist Chris Wildgoose (Batgirl: RebirthBatman: Nightwalker). Debuting in July, Wilson’s self-proclaimed dream project is a high fantasy tour de force promising heartrending drama, pulse-quickening romance, awe-inspiring world-building, and bloody carnage to satisfy every manner of genre fan!

In a dying world, only humans and orcs remain, mortal enemies battling for territory and political advantage. But when a group of fearsome ancient humanoids known as the Vangol arrive from across the sea, the two struggling civilizations are forced into a fragile alliance to protect what they have built.

As a gesture of his commitment to the cause, the most powerful orc overlord, Troth Icemane, sends his beloved cousin, Tara, a high-ranking young healer, to fight alongside brash human commander Callum Battlechild and his company of warriors. With a crisis looming, the success of this unlikely pair’s partnership and the survival of their peoples will depend on their ability to unlearn a lifetime of antagonistic instincts toward one another…and rise above the sting of heartbreak.

“During the pandemic, I thought a lot about the many different times in history when the world has come to an end. I was also revisiting the science fiction and fantasy comfort food that I grew up with, and bit by bit, almost like a bedtime story, this saga—with orcs and humans banding together in a world that is slowly becoming uninhabitable, with enemies facing the choice to stand together or die separately—began to take shape,” says Wilson. “Ordinarily, high fantasy is not something I write a lot of, but coming out of the pandemic, I thought, ‘To hell with it. Death is coming for us all. Do what you love. Write the hot orc saga.’ And here we are!”

“My emotions are running high as The Hunger and the Dusk gets closer to finally being out into the wild,” says Wildgoose. “From the start, Willow handed me this lovely, detailed lore bible of the orc dynasties, their marriage ceremonies, what animals the different tribes hunt, bits of their folklore, where they migrate in the winter. Then we have the humans. Again, she gave me their history, details on some of the cities we may or may not even see in the first series. It was everything I’d hoped for as a starting point, and from there, Willow has let me work in my own high-fantasy tastes. It feels like a seamless union of two nerdy fantasy fans, and I’ve loved every second of the collaboration so far.”

Of their collaboration, Wilson says, “Chris is incredibly meticulous. There’s a reason for every little bit of decoration on every costume. He’s figured out how the armor fits over the clothing underneath. I try to avoid riding scenes when possible because horses tend to be difficult and annoying for artists to draw, but he went all-in and came up with entirely new types of riding animals. It’s just unreal. It’s a fully developed universe. His work on this book is on another level.”

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